Thanks to him, it’s now clear to me that the Holy Spirit is a trickster. It’s not a theological book, per se, but it’s entirely possible that Hyde’s written one of the best descriptions of the indescribable Holy Spirit ever. Indeed, Crossroads/Trickster I is a modern monument constructed from the debris of the past.My copy of Lewis Hyde’s Trickster Makes this World: Mischief, Myth, and Art has almost as many Post-It notes sticking out from its pages as it has pages.Īnd almost anyone who has heard me present over the last decade or come to the Spent Dandelion for a stay or even sat with me over an otherwise innocuous cup of coffee or a cocktail knows that time with me will rarely end before I bust out the book or a cascade of quotes from it. But Jackson Jarvis considers the prison bricks in Crossroads/Trickster I to be, quote, “Time capsules,” end quote. Today, the smokestack that towers over the Park is the only physical structure that remains of Polk Youth Correctional Center. Jackson Jarvis combined the shattered bricks from Polk Youth Correctional Center with Italian glass tiles and carnelian stones to create Crossroads/Trickster I, which was installed shortly after the Ann and Jim Goodnight Museum Park’s opening in 2003. So, the bricks that are now part of Crossroads/Trickster I were not only made on this land - they were also made by the prisoners. These bricks were used in the construction of additional buildings. Prisoners would make bricks during their time here. Prior to 1963, beginning in the 1920s, the facility had served as a state prison farm and, later, a men’s prison. The Polk Youth Correctional Center was in operation from 1963 to 1997. Jackson Jarvis decided to incorporate bricks from the old Polk facility into her sculpture - a decision that paved the way for Crossroads/Trickster I. When she first visited to discuss ideas sometime around 2003, she was informed of the adjacent Polk Youth Correctional Center’s pending demolition, which by then was on land owned by the Museum. Martha Jackson Jarvis was commissioned to create a site-specific work of art for the Museum in the early 2000s. Her work acknowledges the changes that have taken place during her lifetime, including civil rights activism, family deaths, and artistic movements. When she was born in Lynchburg, Virginia, segregation was still a way of life. Martha Jackson Jarvis is a Washington, DC-based mosaic artist.The artist describes her use of prison bricks as “time capsules” that honor the historical significance of this specific place in a new work of art. The sculpture combines brick fragments with Italian glass tiles and carnelian stones.The bricks were made by the inmates who built and lived in the prison. It is made from shattered bricks from the demolition of the prison that once occupied a large area of what is now the Museum Park.It is a site-specific work of art, which means it was created to exist in the exact location where it stands. This modern sculpture marks the intersection of two trails in the Museum Park.Department Modern Key Ideas about this Work of Art
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